Murphy Adams

Name:  Murphy Adams
Website:   www.murphyadams.net 

What do you do? 
Primarily I make small, quirky paintings, but I also work in clay, mosaic and make art dolls.

Where can we find your work? 

Kaleid Gallery in San Jose, Studio Gallery in San Francisco, and a number of smaller shops, as well as my Etsy store Murphy Adams Studio http://www.etsy.com/shop/MurphyAdamsStudio .

I've also done several murals and public art projects throughout the South Bay and am currently starting a slab clay and mosaic project at Ace Charter School in East San Jose.

What inspires you to create and how do you keep motivated when things get tough?
I tend to be a bit of a hermit, hiding out in my studio at home, so when I hit a creative slump I just need to get out.  My work is about relationships, emotion, the stuff that makes us human, all squishy and pathetic and ding dang lovely at the same time, but if I don't get out and live it I've got nothing to paint.

I also get inspired when people tell me how they connect with my work, or how a specific piece seemed to be painted just for them. Again, it's tapping into emotion, and you can't do that alone, it would be boring.

What do you think is more important content/finished product or technique/process?  
Well I can't believe I'm saying  this, but the finished product. As someone who sells art, the end product is ultimately more important. Of course  experimentation and process has played a big part in developing who I am and who I continue to be as an artist. I still spend hours testing new techniques and combinations of materials.

Who are some people who influence and/or inspire you?
I love that SJ has this cool little, tight knit art community, it's very inspiring. So many artists here work really hard at surviving making art, and consistently create...friends like Christine Benjamin, Lacey Bryant and Katy Kindig  to name a few.

I'm also really into reading the Etsy Blog "Quit Your Day Job," where artists and craftspeople tell their own personal stories about how they've grown their art businesses and been able to stop working a day job...someday.

As far as influential art figures currently and through history, people like Alison Saar, Squeak Carnwath, Linda Barry, Maira Kalman, Reverend Howard Finster, Margaret Kilgallen, Joe Sorren, Jean Michel Basquiat, Mark Rothko, Frida Kahlo, Henry Darger, Jacob Lawrence... their creative expression always blows me over, makes me cry or just hits me hard across the face, in a good way.

If you could be any fictional character who would you be? Ha! Somebody kickass like Game of Thrones Khaleesi, the one with the dragon babies, Zena Warrior Princess or a Bond Girl.  If you watch Adventure Time, I'd like to be Marceline, but I'm the Lumpy Space Princess.  In other words, somebody completely opposite of my marshmallowy, goofy self.

When do you get your best ideas? Laying in bed in the morning , kind of lucid dreaming, I think about things that I've witnessed the day before, what's been said to me and what was meant by it, sometimes about the underlying meanings of things.

I  also keep a sketchbook in my bag at all times and I'll often sketch a situation that I've seen, or write down a phrase or title that gets stuck in my head. I like to listen to people, things they say when emotions run high are most interesting. I'm especially drawn to awkward and embarrassing situations, the immense power of love and hope and the sad but sometimes funny side of misfortune. Laughing inappropriately has gotten me in trouble more times than not, but it's those situations that provide substance for my paintings.

What materials/tools do you use most to create your work?
I like to start with good thick cold press watercolor paper, then I use a combination of acrylic and colored ink, sometimes some colored pencil and I love Tombow art pens.  I layer multiple jewel tone colors over colors with matte medium. I know, it looks deceivingly simple.

Are you self taught or formally educated? How do you think that has influenced or affected your work?
I started out as a fine arts major in college, but it was the 80's (I'm aging myself here) and abstract, minimal & light and space paintings were what was popular, so I wasn't taken seriously. My art wasn't art with a capitol A; I suppose it still isn't. In any case I got a degree in art history and worked as a gallery director and curator for much of my adult life. I took a few studio classes but I consider myself largely self taught. Overall I think it's influenced me in a positive way. No one got to tell me what to do or how to do it. Of course I missed out on the how to do things part and I admit that would have been helpful. However, I was able to draw my inspiration from the art that was important to me, form my own opinions and discover things outside mainstream trends. Outsider, visionary, and folk art is a big wow for me as is the bravery that children's work possesses, I would have never found that during a  traditional arts education. 

What would your creative work taste like?
Pigs in a blanket and a beer, and maybe some Hot Tamales candy for dessert. Something so bad, but really so good.

When you are not creating what do you like to do?
I sew, I'm a compulsive baker, my extraordinary husband Patrick & I raise chickens and keep bees. I like homestead-ish type stuff, we've been looking for a little farm down in the Santa Cruz/Monterey area where we can do more of that kind of stuff, and my man has promised me goats! I like taking my dogs to the beach, I love music and going to shows, I'm a word game junkie and I like TV, way more than I should. I also love hanging out with my kids Ivy & Kasten who are now 20 and 17; they're amazing, hilarious and creative beyond belief. Ivy is starting her 3rd year of a BFA program in illustration at PNCA in Portland, and I'm sure my son will follow his creative vision. Seriously, they're my greatest creation. Everything considered, I'm living the good life.

How did you learn to access your creative talents and gain the confidence to put it out there for everyone to experience?
Putting your art out there at first is tough. I had tons of support and encouragement from friends and family. The first time I showed my work I made 40 small paintings and nearly all of them sold. It suddenly hit me, after years of working in galleries, teaching art to kids and a multitude of odd jobs in between, I can do what I love doing most of all. It took me a really long time to come to that realization and to feel comfortable enough to call myself an artist. I wish that I made it happen sooner, but I had to get to the "why the heck not," phase of my life where I stopped worrying about failure. I also just think creative people are naturally more fearful & sensitive, and I needed time to get over that.

What advice would you give others just beginning their creative adventures?
It's not easy, but if you're the kind of person who puts creating above all else for all means go for it. Eat it, sleep it roll around in it. Your work should be completely your own, don't  try and be somebody else. Think about content, not just style. Most of all treat it like a business, put some serious hours into it, market yourself,  get yourself out there. Oh and don't be a flake, don't perpetuate the artist stereotype, it makes us all look bad.

Lacey Bryant

Name: Lacey Bryant
Website: www.laceybryant.com

What do you do?
I'm mainly an oil painter. I've experimented in a variety of media such as polymer clay sculpture, knitting, installation, watercolors, block printing, chalk on sidewalks, etc. I always come back to oils, though!

Where can we find your work?
I show at a few galleries on a regular basis. I'm a part of group shows at Cactus Gallery in L.A., Studio Gallery and Modern Eden Gallery in SF, Tasty Gallery in Seattle, Psycho Donuts in Campbell as well as a few shows at other venues here and there. I also have an ongoing display at KALEID Gallery in Downtown San Jose, where I also keep my studio. I will be having a solo show at Modern Eden Gallery opening on January 21st in 2012 as well. I also try to put pictures online from time to time, my website has links to the places I post as well as information about current shows.

What inspires you to create and how do you keep motivated when things get
tough?
I'm inspired by a lot of things. Often something I read will bring pictures to my mind, other times just watching or talking to people or going for a hike in the woods will inspire me. I develop a lot of my ideas in my sketchbook, when I don't know what to do I will just start with a face and the rest will usually come from there. My work is mostly about giving form to intangible things like emotions so I often think about how I might give form to a particular thought or feeling that I'm interested in when I'm doing other tasks. My mind is constantly wandering. I love to look at art books, seeing work that really amazes me makes me itch to try to make something of my own. I don't feel so much like I need to be motivated most of the time, the desire to paint is sort of a compulsion for me. I couldn't stop even if I wanted to. If I'm feeling a bit blocked, sometimes I will play with a different medium for a bit. When I'm feeling stressed or tired I try to keep in touch with the excitement I feel for all of the fun things I get to do!

What do you think is more important content/finished product or technique/process?
I don't think I can separate the two, they are equally important in my eyes. I think you have to love every moment of the process in order for that love to come out in the finished product. There has the be a willingness to do what it takes to make the best picture you can make even if it takes lots of time and patience. Technique is important as it is the tool that you use to convey the meaning of your work. On the other hand, what is form without substance? The content of the work is the ultimate point, isn't it!

Who are some people who influence and/or inspire you?
There are so many! I love the work of Henri Magritte, Jenny Saville, Henri Matisse, Dorthea Tanning, Alice Neel, Gustav Klimpt, Egon Schiele, Zak Smith, Henrich Klay, Henri Toulouse-Lautrec, Henry Darger, Arther Rackham, Jim Henson, Kurt Vonnegut, Vladamir Nabokov, Niel Gaiman, Shel Silverstein, I could go on. I subscribe to Hi-Fructose Magazine, so it seems like every time it comes in the mail I have several new favorite artists of the moment, too. I love Victorian death photography, children's picture books, science fiction books & b-movies and the passionate artists that show at the gallery where I work.

If you could be any fictional character who would you be?
Perhaps Door from Neil Gaiman's Neverwhere or Alice in Wonderland.

When do you get your best ideas?
I think about things I want to paint while I'm stuck in traffic or working at other jobs or while I'm laying in bed trying to sleep, so pretty much all of the time. A lot of my ideas occur while I'm messing about in my sketchbook.

What materials/tools do you use most to create your work?
I use oil paints on my handmade cradled panels a lot. I also love painting on found wood, especially cabinet doors and cigar boxes. I like flat brushes and a glass palette. When I work with clay, I'm especially fond of Puppen Fimo polymer clay. I also like to build installations with cardboard and found objects. I love to play with different mediums so I've got a pretty eclectic collection of art supplies!

Are you self taught or formally educated? How do you think that has influenced or affected your work?
I have an Associates Degree in Fine Art with an emphasis on painting but I didn't get really serious about making art until a year or two after I'd graduated. I think it took a little life experience for me to develop my voice through my art. I spent a long time developing techniques and learning about color and such before I really figured out what I wanted to say with my art. Much of my learning has always been on my own, if I'm
interested in something I read about it and experiment.

What would your creative work taste like?
Bittersweet chocolate or beets. Sometimes tart cherries. (But it would smell like fall leaves burning.)

When you are not creating what do you like to do?
I like hiking, gardening, baking, reading, watching old movies, playing video games, spending time with my friends and family and snuggling with my black cat Hecubus.

How did you learn to access your creative talents and gain the confidence to put it out there for everyone to experience?
My mother was great about giving us access to all kinds of art supplies when I was a kid (not to mention some things which I saw as art supplies that maybe weren't). I loved to decorate our house for Halloween and volunteer to paint sets for the children's theatres I was involved with. My little brother, Jeff was my partner in crime, always egging me on. His delight in my silly creations made it so much fun to try and come up with things to
entertain him. I was very shy about showing my work publicly at first until my friend Lara Sophia and I started showing together and even making art together. We were able to give each other the moral support that it took for us to start putting our work out there. The work we're each making now is very different from each others, but it has all been built upon those early experiences and I don't think our work would have developed quite the same without that collaboration.

What advice would you give others just beginning their creative adventures?
You have to be willing to work very hard to accomplish things you never thought possible! Make a lot of work and make it good work, don't slack off (and you know when you're slacking). Be willing to experiment, you never know when you might find your new favorite medium. Come out of your cave once in awhile and talk to other artists. Your community is one of your greatest assets-it is a source of inspiration and encouragement. Set goals for yourself and stick to them. It really helps to have a project. Don't quit! If you're serious about making art, then stick with it past the ugly duckling phase and give yourself a chance to grow. Don't compare yourself to other artists and think that you will never measure up. You are the only you there is, find your own voice and don't try to fit in or be anyone else.

Night Taste By Lacey Bryant